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Oct 30, 2018
Peter Haakon Thompson is a Minneapolis-based artist and the Community Development Coordinator at Springboard for the Arts. For many years, he has initiated and participated in art projects that center community engagement—some while wearing his “artist” hat, and some as an arts administrator. We asked Peter to share some examples of successful creative placemaking ventures he’s been involved with,... Read More
Oct 25, 2018
Amid the opportunities and stressors of gentrification, and facing an existential water crisis, new and longtime residents of bucolic Bozeman, Montana, create and experience public art that amplifies their stories and brings them together. In a rapidly growing western town, indigenous and non-indigenous artists collaborate with ranchers, ecologists, and activists in a poignant performance series about the... Read More
Oct 18, 2018
What can the arts and culture do for our communities? A striking answer can be seen in Fargo, North Dakota, where residents came together with artists to show that civic and cultural improvements often go hand-in-hand. The City of Fargo, ND is located near the Red River, which floods seasonally. To manage this, Fargo has built storm water... Read More
Oct 16, 2018
This is the first in a series of guest posts by Judi Jennings called “Asking Tough Questions About Creative Placemaking.” The series will highlight analysis and action ideas from interviews with some of the best minds in placemaking and philanthropy. The interviews are part of the Creative Placemaking From the Community Up project, which is supported by... Read More
Oct 10, 2018
In 2013, ArtPlace America invested in the implementation of two “Creational Trails” in Milwaukee, a project led by the Greater Milwaukee Committee. Both trail initiatives were intended to address specific problems, both were intensely collaborative, and both employed many of the same partners, including MKE<->LAX consultant Sara Daleiden and the City of Milwaukee. Through a partnership with NEWaukee, the West Wisconsin Avenue Creational... Read More
Oct 04, 2018
Like Riding a Bicycle is the name of our socially engaged art collective. We have been working together since 2014 to empower communities and individuals in the places they live. We are currently working with the Heights Community Development Corporation (CDC) in Memphis, Tennessee, to create community engagement programing that complements the development of a new neighborhood-led multimodal infrastructure project called... Read More
Oct 02, 2018
The Alameda County Sheriff's Office (ACSO) is recognized as a national leader in progressive public safety. Through community development initiatives, authentic relationship building, sports, arts, and recreation, it is helping to transform disinvested neighborhoods in urban unincorporated areas of the county it serves. In 2016, ArtPlace America invested in Eden Lives! The project was started by the Alameda County Deputy Sheriffs’ Activities... Read More
Sep 26, 2018
It’s been just over two years since the National Endowment for the Arts (NEA) released How to Do Creative Placemaking: a 200-plus-page guide to cultivating, nurturing, and sustaining all the elements necessary for successful creative placemaking efforts. The guide has since been read and referenced by thousands of people and communities across the country. ArtPlace recently caught up with Jen Hughes,... Read More
Sep 18, 2018
Being a great artist and making a living as an artist aren’t always the same thing. Creatives often struggle with the “real world” side of their practice, but help is available. The St. Paul, Minnesota-based Springboard for the Arts offers a wealth of downloadable resources, called toolkits, for free through their national Creative Exchange platform. The toolkits include a range of self-guided... Read More
Sep 04, 2018
Who better to support your creative placemaking project than the community it will impact most?
In the session “Crowdfunding In Your Own Backyard,” ioby Leader Success Strategist Jennifer Allen framed crowdfunding as fundamentally more than a passing craze. In fact, she explained how the contemporary version of the classic “passing the plate” model helps grassroots initiatives (as well as established... Read More