Two young kids, one with a spray can, at RedCan Jam 2019
The RedCan Invitational Graffiti Jam, held annually in Eagle Butte, South Dakota, gives youth from across the region a chance to meld contemporary street art practices with their heritage, identities, and stories. The event builds young people’s creative skills, self-confidence, and cultural pride.
Image of a film crew on an abandoned train track.
“One thing about it is you can never trust the coal company. … They call it Bloody Harlan for a reason. We don’t intend no harm. We’re just here trying to get what’s rightfully owed to us.” That’s what Shane Smith, a former Blackjewel and Revelation Energy miner, told alumni of our Appalachian Media Institute when they interviewed him last week on the train tracks in Harlan County where miners had gathered to protest.
While the work of creative placemaking involves plenty of “grown-up” tasks like applying for permits and analyzing data, young people can play pivotal roles in shaping projects by bringing high energy, fresh thinking, and honest questions.
Collage of images.
When employees don’t feel they can bring their “whole selves” to work, creativity, productivity, and ultimately a business’s success can also suffer. In the third of a series of guest posts, Theo Edmonds explains how diversity, inclusion, innovation, and production interrelate, and how a new framework could help all sides measure and manage “cultural wellbeing” in the workplace.
After a morning of literacy enrichment, Wild Lightning Lion draws her power of courageous voice. Photo Credit: Superhero Training Academy
Detroit’s Bright Art Paths is crafting a gamut of “creative play adventures” for kids and adults in the city’s Brightmoor neighborhood. We asked Laughing Moon of Superhero Training Academy, a Bright Art Paths partner, to tell us what’s been happening on the ground since the project’s 2016 ArtPlace grant.
A group of young men standing in a row at a work showcase at the PRX Podcast Garage.
The Cambridge, MA-based Loop Lab is a Swiss Army knife of creative problem-solving. Their internship programs train and hire young women and people of color for careers in the creative economy, help disrupt the monolithic perspective of mass media, and work to preserve the rich culture of their historic neighborhood.
Power is a broad concept, and its import ranges from who has it and how to get it to what it ultimately means and why it matters. At the ArtPlace America 2019 Annual Summit, we asked three leaders in creative community development from around the country to answer one crucial question: “In your work, how do you access people with power?”
Scott Oshima of the Japanese American Cultural and Community Center speaking by a table.
“When you dig into any community organizing, anti-displacement, creative placemaking, or placekeeping work, you’ll find parties as a part of it.” In these highlights from a recent interview, Scott Oshima of the Japanese American Cultural and Community Center explains how fun, art, and culture can be some of our best tools in the fight against displacement and cultural erasure.
A man speaking to a group of kids in a library
While we aren’t always aware of the culture that surrounds us, the messages we receive about our communities and ways of life have a great impact on our health. In the second of a series of guest posts, Theo Edmonds explains how culture and community affect the wellbeing of individuals, populations, businesses, and the economy.
A collage of printed photos on green grass
For decades, Philadelphia’s Village of Arts and Humanities has been cultivating local civic power in creative and lasting ways. Learn how the organization has effectively used film, photography, sound design, and—currently—the built environment to bring residents into their power as community experts, planners, caretakers, and documentarians.
Visual Arts