Inside the Eastern Kentucky Social Club: member Rutland Melton with Carrie Brunk and Robert Gipe.
16.10.18
This is the first in a series of guest posts by Judi Jennings called “Asking Tough Questions About Creative Placemaking.” The series will highlight analysis and action ideas from interviews with some of the best minds in placemaking and philanthropy. The interviews are part of the Creative Placemaking From the Community Up project, which is supported by the National Endowment for the Arts Our Town Knowledge Building grants program.
Musicians playing for dancers on the street.
12.10.18
When internationally renowned architect Sir David Adjaye was selected to design a building for an affordable housing nonprofit in New York City, people took notice. When the project included a children’s museum of art and storytelling along with a preschool—in addition to 124 beautifully appointed, permanent living spaces for low-income and formerly homeless people and families—it transformed any preconception of what supportive housing is “supposed” to be.
A group of people playing the drums while sitting cross-legged
10.10.18
In 2013, ArtPlace America invested in the implementation of two “Creational Trails” in Milwaukee, a project led by the Greater Milwaukee Committee. Both trail initiatives were intended to address specific problems, both were intensely collaborative, and both employed many of the same partners, including MKE<->LAX consultant Sara Daleiden and the City of Milwaukee. Through a partnership with NEWaukee, the West Wisconsin Avenue Creational Trail resulted in the NEWaukee Night Markets (which continue to be very popular) and impacted the successful redevelopment that is still taking place in the area.
Two people with an umbrella viewing a schematic
04.10.18
Like Riding a Bicycle is the name of our socially engaged art collective. We have been working together since 2014 to empower communities and individuals in the places they live. We are currently working with the Heights Community Development Corporation (CDC) in Memphis, Tennessee, to create community engagement programing that complements the development of a new neighborhood-led multimodal infrastructure project called the Heights Line.
A police officer in a water tank giving a thumbs up
02.10.18
The Alameda County Sheriff's Office (ACSO) is recognized as a national leader in progressive public safety. Through community development initiatives, authentic relationship building, sports, arts, and recreation, it is helping to transform disinvested neighborhoods in urban unincorporated areas of the county it serves. In 2016, ArtPlace America invested in Eden Lives! The project was started by the Alameda County Deputy Sheriffs’ Activities League (DSAL), a nonprofit that organizes programming for adults and youth to complement the community-oriented and problem-solving policing style pursued by the ACSO.
A Lakota teen dances at Cheyenne River Youth Project's inaugural RedCan graffiti jam in 2015. Photo credit Richard Steinberger.
26.09.18
​It’s been just over two years since the National Endowment for the Arts (NEA) released How to Do Creative Placemaking: a 200-plus-page guide to cultivating, nurturing, and sustaining all the elements necessary for successful creative placemaking efforts. The guide has since been read and referenced by thousands of people and communities across the country. ArtPlace recently caught up with Jen Hughes, the agency’s director of design and creative placemaking, about how the guide came about, the impact it’s had, and what’s next for creative placemaking at the NEA.
A black woman and a white man smiling and working at the People's Paper co-op
25.09.18
ArtPlace America and Local Initiatives Support Corporation (LISC) are pleased to announce the publication of “Creative Placemaking & Community Safety,” a new report by Urban Institute that tells the stories of four creative placemaking initiatives that seek to improve community safety in their respective communities. This collaborative effort integrates arts, criminal justice, and social change research methods, and expands the body of evidence that arts and culture leaders are integral to multi-sector approaches to achieving safety in urban and rural areas across the country.
21.09.18
We asked a few of our favorite organizations who work with Native American and Indigenous communities to share the creative placemaking opportunities, funding sources, and events they’re most excited about right now. First Peoples Fund (FPF) honors and supports the Collective Spirit® of First Peoples artists and culture bearers. Recognizing the power of art and culture to bring about positive change in Native communities, FPF awards grants, helps nonprofits build their capacity to serve Native artists, and undertakes research to build the field of Native arts and culture across the country.
18.09.18
Being a great artist and making a living as an artist aren’t always the same thing. Creatives often struggle with the “real world” side of their practice, but help is available. The St. Paul, Minnesota-based Springboard for the Arts offers a wealth of downloadable resources, called toolkits, for free through their national Creative Exchange platform. The toolkits include a range of self-guided learning materials for individual artists (as well as organizations) working on projects large and small. Carl Atiya Swanson is Associate Director of Springboard and manages Creative Exchange. He spoke with ArtPlace about his organization’s Toolkits for Change.
Leila Tamari, Sean Starowitz, and Hope Knight sit behind a table
14.09.18
The session “On the Field: Finding Funding and Support” took place on May 3, 2018 at the Creative Placemaking Leadership Summit in Madison, New Jersey. Before the experts discussed the issues and took questions from the audience, they invited participants to pick up a crayon and draw their personal experience of finding funding for a creative placemaking project. No two sketches were alike, of course, but one elicited empathetic sounds from the crowd. It depicted a stick figure in a bed, money-related thought bubbles issuing from its head. According to its maker, it was “the universal representation of everybody who’s in this business: lying in bed—awake or dreaming—imagining how to raise the money to do this.”
Higher Education