A woman and child holding paper to the light.
ArtPlace kicks off our sixth research working group—all about arts, culture, and immigration—this week in Pittsburgh. See a rundown of the accomplished arts and immigration leaders, practitioners, and advocates we’ll be meeting with, and what’s on our agenda.
Close up image of a taro field
Renowned filmmaker Queen Muhammad Ali, great-granddaughter of Eastern American Samoa’s late Paramount Chief Tuli Le’iato, contributed this story to ArtPlace about how she's helping to heal the obesity and diabetes epidemics her island faces by bringing the power of new technologies to indigenous Samoan healing arts.
A bee gathers pollen on a bush of purple flowers
The Pollinator Garden transformed cement parking lots into profuse gardens to support bees, butterflies, and more—while also nurturing cohorts of young people to became advocates. Today it continues to help develop a new generation of leaders who will insist that our urban environments include green spaces that support diverse ecosystems.
Five women in a pottery class
For the past three years, artist and immigration attorney Carolina Rubio-MacWright has witnessed the ability of creative practice to empower, build community, and broaden horizons. She shared with ArtPlace what she’s learned from organizing and leading a series of “Know Your Rights” workshops for immigrants in a Brooklyn clay studio.
A young white woman and a young black man play ping pong
This month on the ArtPlace blog, we're exploring the environment: from the built to the unbuilt; from natural vistas to the horizons of the civic commons. We published this insightful guest post by urban planner Lynn Osgood one year ago this week, and believe it deserves a first anniversary encore.
An entrance to a house, to the right a sculpture of children playing in a tree
Who defines what’s authentic? Why is authenticity important to creative placemaking? At the Creative Placemaking Leadership Summit West in Albuquerque, New Mexico, panelists discussed these questions and others through the lenses of national research and regional case studies.
Close up photo of Randall Szott
The words “artist” and “bureaucrat” can seem as opposite as the north and south poles. But poets, actors, musicians, dancers, and art-makers of all other stripes have been infiltrating our government’s ranks for years—and many are making great strides. Meet Randall Szott of the Vermont House of Representatives.
Large group of people sitting across tables having a conversation
“Environment” might conjure up images of mountains, rivers, and forests. But place-based practitioners know that the “E” word can encompass “built” (human-made physical) and “unbuilt” (cultural and natural) environments. Guest contributor Judi Jennings describes some of the ways these three intersect in the field of creative placemaking, in rural as well as urban settings.
Close-Up photo of sugar cane
In what types of community-based efforts is artistic and cultural expression contributing to food and agricultural outcomes? Our recent working group delved into a draft report that had examined the databases of ten federal agencies and foundations and identifying 180 projects integrating arts and culture with food and agriculture. We looked at projects dealing with tourism, culinary arts, food markets and more.
An older white man sitting at a table listening to those around him.
Arts funding doesn’t have to come from arts funders. Experts at our 2018 Summit shared their best tips and case studies to help creative placemakers find financial support from a variety of unlikely sources.
Community Development